As a filmmaker, Cynthia’s first short, Sleep Training, written by Anna Ziegler, and produced by Made with Sass, was an official selection at Brooklyn Women’s Film Festival, NY Shorts Fest, NewFilmmakers NY, and the recipient of a 2015 Silver Spotlight Award. Her second Made with Sass short, Sibs, has screened at the 2017 Oscar-qualifying Edmonton Film Festival, Brooklyn Women’s Film Festival, USA Film Festival (Finalist, Short Film & Video Competition), and San Jose International Short Film Festival this December.
Cynthia is currently in post-production
of the first season of the web series Adult created by Tatienne Hendricks-Tellefsen, and her third short, Chemistry, written by Charlotte Martin. She is also currently in development for a short film adaptation of Wendy MacLeod’s one-act play, The Shallow End, which landed her on the shortlist for American Film Institute’s 2017 Directing Workshop for Women, and her first feature, Best Friends, written by her longtime collaborator, Paul Marcarelli.
Photo by Augusta Quirk
Cynthia’s stage directing credits include
Dipika Guha’s The Rules (Joust Theatre Company); Reckless, by Craig Lucas, Uncommon Women and Others, by Wendy Wasserstein and Melancholy Play, by Sarah Ruhl (Atlantic Acting School at Atlantic Stage 2); Almost, Maine, by John Cariani and Shel Shocked: An Evening of Grown-up One Acts by Shel Silverstein (Atlantic Acting School Studio Theatre); Cookie, by Chad Beckim at FringeNYC, among others. Cynthia was named a finalist for the 2015 Eugene O’Neill Theater Center’s National Directors Fellowship.
Photo by Joanne Bouknight
Originally from the San Francisco Bay Area,
Cynthia began her artistic career as an actor, training at New York City’s Atlantic Acting School, and receiving her BFA from NYU’s Tisch School of the Arts. Her critically acclaimed one-woman show, BRIDEZILLA STRIKES BACK!, co-written with Kenny Finkle (Winner: Outstanding Solo Show, FringeNYC) received commercial productions in both New York and Los Angeles.
Photo by Tom Bloom
Other stage acting credits include
TEN, KIDSTUFF, and Open House (Winner: Best Ensemble, FringeNYC) w/ Partial Comfort Productions, of which she is an ensemble member; Paper Cranes w/ Packawallop Productions; Carnival Round the Central Figure at IRT; The Adding Machine (Winner: Best Overall Production, FringeNYC), Richard Nelson’s Jitterbugging: Scenes of Sex in a New Society, Eric Bogosian’s Scenes from a New World, Warren Leight’s The Loop, and The House of Yes, by Wendy MacLeod with Mobius Group Productions, of which she was a founding member. Big & small screen acting credits include “Boardwalk Empire”, “CSI: NY”, “Law & Order: Criminal Intent”, Brightest Star, The Green, and Colin Fitz Lives!.
Photo by Lauren Fritz
Cynthia has been on faculty at Atlantic Acting School since 1998
and currently teaches acting by way of the Practical Aesthetics technique, developed by David Mamet and William H. Macy. There she conducts advanced scene study classes, with an emphasis on plays written by living women playwrights, to the second year of the professional conservatory and NYU undergraduate program, and workshops on the business of acting to the graduating conservatory and NYU students.
Photo by Ahron R. Foster